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 User Description: proved to be a red herring for some scholars workingin the field of early athletics. Misled by what appeared to beach girl to document the before fit perizoma, some hypothesized that Thucydides' comment onthe historical tradition.123There are other examples of Greek potters turningtheir attention to the Etruscan market, however;124and the custom of revealing athletes wearing garments,Instead of seeming completely nude, is not surprising in Etruria. Although sportsmen do frequently appearNude, or infibulated, in Etruscan art of the sixth andfifth centuries B.C. (in regular life they maybe continued to wear a perizoma), there are a number ofsixth- and fifth century cases of reliefs and wallpaintings, including a group from Chiusi, from the Three dimensional examplesare rarer: in sculpture, the nude Greek kouros generally functioned as model.125of the repertoire of Archaic and Classical Etruscan artworkcontrasts strongly with the Greek. http://istvanhajdu.ch/LinkClick.aspx?link=http://nudism.name view athleteswearing shorts or perizomata, nude, vulnerable,male prisoners, female nudity, and the picture of theBreastfeeding mom. http://antennasites.us/__media__/js/netsoltrademark.php?d=nudist-young.com of athletes with their sex organs covered, ona group of Attic black-figure vases of the ending of thesixth century B.C., has been frequently noticed in discussions of Greek athletic nudity. These vases areknown as the "Perizoma Group," because of the whiteloincloth worn by the bodies of athletes and dancersthe characteristic perizoma about their waistlines andhips (fig. 7).122 That such vases were made expresslystrangeness of this detail in a Greek context.126 AnUncommon in the dress of the male figures on the lowerEnroll or of the girls on the symposium arenaPreviously. The women are revealed completely dressed, as decent women, or wives, accompanying their husbands in the Etruscan custom, rather than party girlshired out in the Greek manner.127 It makes sense, then, toBelieve that we're coping with images especiallyPicked to please Etruscan customers who purchased thevases from Greek potters, and desired their ornamentationto conform to their own customs.Another unusual feature of these vases, nonetheless, stillrequires some explanation. These figures, whetherathletes or dancers, aren't young, as on Greek vases,but heavy-set, elderly bearded guys. Why would theEtruscans prefer such figures? Did http://psebindia.org/__media__/js/netsoltrademark.php?d=voy-zone.com expect experienced performers, rather than talented amateurs? It isChallenging to say. We still have much to learn about Etruscan customs and beliefs, too as their ethnic andcommercial relations with the Greeks.Our next example concerns another distinction between the Greek and Etruscan attitude to nudity. InEtruscan art (where, as we have seen, Greek "heroic"nudity was never fully taken) male nakednesscould still be used for magic apotropaic reasons;'28 orit could signify weakness and susceptibility.;oisPrisoners over the grave of Patroclus. A scene told inOnly two lines by Homer in the Iliad, it must have beenthe theme of a monumental painting in Italy, for itrecurs on half a dozen Etruscan and South Italianmonuments of this interval.'29 We see a group of nude,Bind prisoners, vulnerable and helpless, their legscut and bleeding to keep them from escaping. The It isrepresented practically (assuming that a phantomcan be represented realistically), that's to say, he isshown as a corpse, wearing bandages in the areaswhere he was wounded. http://snoekpie.com/gallery/main.php?g2_view=core.UserAdmin&g2_subView=core.UserLogin&g2_return=http://voy-zone.com is shown inits pitiable state. At the same time it is not only acorpse, but a forceful soul, returning to demand thatblood be spilled to suit him. Similar bandages areworn by the ghost of Agamemnon in the EtruscanTomba dell'Orco in Tarquinia (where the hero's fullsize ghost contrasts with the miniature, screeching shades ofthe dead clustering around a infertile, wintry tree),130and they appear on quite a few Apulian vase paintings.'31 This picture of the soul, still captured in thewounded flesh of the body, may have inspired Michelangelo's portrayal of the Pietai in the FlorenceCathedral, as well as the Bound, or Expiring Slaves.'32In antiquity the convention of Greek "heroic" nudityGreece, even as an artistic tradition. In http://www.sanantoniochamberofcommerce.net/__media__/js/netsoltrademark.php?d=nude-beach.net , andin Italy, the perizoma (which guys wore in life) wasstill signified in the sixth century B.C. Even thePowerful guy Heracles wears his lion skin as a perizoma